|
| movements = 6 | text_poet = Salomon Franck | vocal = | instrumental = }} ''ドイツ語:Tritt auf die Glaubensbahn'' (Step upon the path of faith),〔 BWV 152, is a church cantata by Johann Sebastian Bach. He composed this dialogue cantata in Weimar for the Sunday after Christmas and first performed it on 30 December 1714. == History and words == On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the ''Schlosskirche'' (palace church), on a monthly schedule.〔 He composed the cantata for the Sunday after Christmas. The prescribed readings for the Sunday were from the Epistle to the Galatians, through Christ we are free from the law (), and from the Gospel of Luke, Simeon and Anna talking to Mary (). The gospel is the passage following the canticle of Simeon.〔 The cantata text was written by Salomon Franck, the Weimar court poet, who published it in ''ドイツ語:Evangelisches Andachts-Opffer'' in 1715. The gospel refers to Isaiah () and Psalm 118 (), mentioning "a stone of stumbling and for a rock of offence" and the "stone which the builders refused". The poet refers to it, stating that God laid the stone of foundation, and man should not take offence. Jesus is then addressed as a stone beyond all gems. The cantata text is a dialogue of Jesus and the Soul and concludes with a duet, asking to reject the "world" and follow Jesus.〔〔〔 This cantata is the earliest extant example of a dialogue, used again in Bach's third annual cycle of cantatas written in Leipzig.〔 Bach first performed the cantata on 30 December 1714.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Tritt auf die Glaubensbahn, BWV 152」の詳細全文を読む スポンサード リンク
|